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Monday, 08 June 2009 17:26
There are no translations available.

Although a lot of work performed by B.E.A.R. FORENSICS happens behind the "spot lights", we are sometimes asked to explain what our profession is. It is not a very common profession and the entertainment world has used the polygraph in different movies and television shows all around the world, which has increased the interest in our field.


Different media (print, radio, television) have asked us to explain what a polygraph is and what our profession can do for society

We invite you to visit our Online Channel on YOUTUBE (http://www.youtube.com/bearforensics) for the different interviews given in different countries but in the meantime you can find below some examples of different media interventions.

 

 



SPAIN

TELEVISION

 

LIBERTAD DIGITAL (SEX OFFENDER TREATMENT) MADRID, SPAIN, NOVEMBER 2008 (PART 1), in Spanish
INTERVIEW WITH FRANCISCO PEREZ ABELLAN (LIBERTAD DIGITAL) and Charles Speagle and Amável Sanches (B.E.A.R. FORENSICS)

 

 

 

LIBERTAD DIGITAL (SEX OFFENDER TREATMENT) MADRID, SPAIN, NOVEMBER 2008 (PART 2), in Spanish
INTERVIEW WITH FRANCISCO PEREZ ABELLAN (LIBERTAD DIGITAL) and Charles Speagle and Amável Sanches (B.E.A.R. FORENSICS)

 

 

TELEMADRID (USE OF POLYGRAPH) FEBRUARY 2006, MADRID, SPAIN
INTEVIEW TELEMADRID, Amável Sanches (B.E.A.R. FORENSICS), in Spanish

 

EXPLANATION OF POLYGRAPH AND FORENSIC PSYCHO-PHYSIOLOGY (PART 1), in Spanish
INTERVIEW, Amável Sanches (B.E.A.R. FORENSICS)

 

EXPLANATION OF POLYGRAPH AND FORENSIC PSYCHO-PHYSIOLOGY (PART 2), in Spanish
INTERVIEW, Amável Sanches (B.E.A.R. FORENSICS)

 

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PRINT

EL PAÍS (NEWSPAPER), 21.01.2007 (PDF FILE)

SEGURITECNIA (REVISTA PROFESIONAL SEGURIDAD), FEBRERO 2006 (PDF FILE)

XL SEMANAL (REVISTA ONLINE), MARZO 2006 (PDF FILE)

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PORTUGAL
TELEVISION
PRINT

TELEVISION

 

SIC PORTUGAL, JORNAL DA NOITE (EXPLANATION OF POLYGRAPH USE IN PORTUGAL), MAY 2009, in Portuguese
INTERVIEW, Amável Sanches (B.E.A.R. FORENSICS)

 

PRINT

 

Last Updated on Sunday, 12 July 2009 12:53
 

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